Friday 30 October 2015

Creature Creation

Decided to do a cross over blog, as in one that counts as much for writing as it does for the art.

When creating creatures, there are a couple of factors that you have to keep in mind, the greatest being 'what is its place in the food chain'.  If your creature is meant to be the one at the bottom of the food chain then it isn't going to work if it struggles to reproduce.  The 'rodents' need lots of numbers to make up for the loses to predators.  Equally, if it is at the top of the food chain then what is the rival predator that helps keeps its numbers in check?  Nature never comes up with a design that is utterly unbeatable.  If there is a predator that has no natural enemies, other that it's own species, then you can almost guarantee that there will be a disease that culls out the numbers if it becomes too numerous.  You just have to look at the fungi in the Amazon rain forest that reproduce by infecting insects with their spores and taking over their nervous systems.  It sounds like something out of science fiction and it is disgusting but the more numerous the insect species the more likely it will be attack by its fungi predator.

You then need to consider that form follows function.  For instance, my artwork seriously started with a sketch to explore how the fantasy creatures dragons could actually evolve.


First off, is the major issue of flight.  That is the thing that sets dragons apart in many fantasy setting, the fact that they can fly.  They also have a habit of lairing in cold, damp caves, despite the fact that caves are nearly totally unsuitable for a reptile.  I put the two together and thought of hydrogen, the lightest of gases, the most flammable and the most readily available in the form of water, if you can crack it off the oxygen.  The cracking process would produce a lot of heat, hence the dragons need for a cool lair; you do not want to over heat a body that is stuffed full of hydrogen, the result is a very big bang.

So hydrogen would proved the lighter than air lift needed for flight, would drive the dragon's need for coolness and a ready supply of water and also provide its ability to breath fire, which possibly evolved as a safety valve.  Tubes from the gas bladders to the mouth, say opening under the tongue would pipe the hydrogen to where it could be safely mixed with oxygen, while a chemical gland along the lines of the bombardier beetle's would provide the spark needed to ignite the reaction.

Now for the illustrations out there, I have a little bug bear.  Most books described the dragon's wing a bat-like and then the illustrators draw them with the 'little finger' of the wing limb folding along the forearm.  That is physically impossible for a bat.  A bat's wings is jointed exactly the same as the human hand and the human hand cannot touch the little finger to the outer edge of the forearm.  Therefore, a dragon would more likely fold its wings by making fists and then pulling the 'arms' into the sides of its body.

As for how the dragon manages a six limb configuration I went with the idea that the spine extends beyond the arm shoulders into a second set of collar bones and shoulders to support the wings.  The muscles of these second, wing arms would over lap the chest and back muscles of the arms and be anchored in them so that the dragon's chest would to all intents and purposes be double muscled, which would give the driving power to the wing beat.

I also decided that the arms would be shorter than the legs so the dragon would ride over its hips like a bipedal dinosaur, rather than be four legged animal on land.  That would meet that the arms could support hands, much more useful for the grasping of prey and treasure, and the long tail would balance the weight of the body.  I also decided that a dragon would most likely have spines on the end of the tail that could lay flat in flight or be opened as both an air break and a weapon as the tail would be the most vulnerable area, as I've never understood why the legends say that a dragons belly is unarmoured when a lizard has equally tough scales all over.

Going for all round maximum efficiency I designed the back feet to sport the sickle claws of a velociraptor, only on a much bigger scale.  These would act like grappling hooks on cliff sides and a butchers hook when tackling prey of a similar or larger size than the dragon.  If the claw structure was of the same design as a cats i.e. built up in multiply layers, then the risk of loosing a claw tip would be of no moment as the dragon would just have to pull off the damaged layers to reveal a new, sharp point.

There you are, that's my thought processes behind my dragon illustrations.  If you are going to create fantasy creatures and 'monsters' in either your books or your art, my advice is 'the more outlandish they are, the more thought behind the function is needed'.  Granted with artwork you have a little more leeway but in writing it is definitely true that you need to be able to justify all the spines and extra limbs your creature has.  Have fun.

Thursday 22 October 2015

Eye Problems

What is the most annoying malaise that could possibly affect you in the modern First World.  Oh let's see (clue there) not being able to drive because of co-ordination difficulties?  Well that's one that affects me but normally I can work round it thanks to the invention of buses, or if I'm really desperate and have the money (not often) taxis.

Not being able to hold down a job because by the time I recovered from a post-school mental break down I was needed as a full time carer for my mother and now that we finally have people around us that can take that responsibility off my shoulders, I'm way past the age that anyone would consider giving me a first job?  Yeah up to my neck in that one but I'm trying to find a way around it by becoming self employed.

Coming home at the end of a day trying to convince people to buy my stuff and wanting to sink into the floor and never be seen again, while the Autistic child in my head screams at the top of her lungs, loud enough to block out all thought?  Yeah that one is a difficult one, especially as people don't see just how hard it is for me to stand there and do the whole 'talk to strangers' thing, when all the time, I have a little voice in the back of my head saying 'Mummy says 'never talk to strangers."  Yeah I know it sounds stupid but I am Autistic, we take to heart what we are told, especially if it is a boundary because part of us is desperate for a structure to make sense out of the world around us and another part, once we hit school age, hopes that if we obey all the boundaries then people will like us.  Why else put a boundary there unless to say 'all those on this side we like, all those on that side we don't'?  I can fully understand one Autistic man's story - he went mute after moving school because in his old school he talked and nobody liked him, in his new school he didn't talk the first day and everybody was nice to him.  Conclusion - if you don't talk people like you.  I can fully understand that and if I'd thought that it would have worked, I'd have done the same thing but in my schools if you didn't talk you had the piddle taken out of you for 'being a freak'.

However, beyond all of this I'd say the most annoying malaise has to be getting conjunctivitis nearly every time I take five minutes out of the jobs to play a computer game and have some fun.  It's not like I have that much time to have fun and soon I'll have even less so being bittern when I do manage to have some fun is not appreciated.  That and it means that I have to take it easy on other computer work for days afterwards so it even slows down my job and all.  Sigh.

Still the show must go on and the softback version of 'The Return of a Nagus' should be back on sale in the next week.  Check out the shop page for updates.

Sunday 11 October 2015

New Art, New Merchandise and File Updates

For those of you who are regular followers of my blog will know that for the last few months I have been working on a much bigger painting than I have attempted before.  The good news is that I have finished!

'Mulo's Son, Morrigan's Daughter', or 'Morrigan to give it its short name, is now up for sale and viewing at http://v-j-bartlett.deviantart.com/art/Morrigan-565634792

Having completed that very happy news I have now spent umpteen boring hours watching the loading wheel spinning round and around while I upload it to the various sites that I sell my artwork through (for full details please visit the 'Sales' page, which includes all of the relevant links).  My eyeballs now feel as if they have been dipped in sand.  This is why I'm still rocking the old paper and paint brush technique of artwork over the painting art programs you can buy for the computer, to long in front of a computer screen does my eyes no good what so ever.  I'm probably going to have conjunctivitis by tomorrow morning, not nice and always a worry for an artist and a writer.  You only get one pair of eyes and as of yet they haven't been able to work out a way of replacing them.

The only good thing about being utterly bored is that the wiglet seems to sense it and decides to brighten up my day by kicking.  At the moment it actually rather tickles, although I have no doubt that it will become more uncomfortable as he grows.  I've already been forced to put aside a fair number of my clothes as I no longer seem to be able to fit into them.  I guess the comfort is that this weight gain is only temporary, really only temporary and then when I loose it, i.e. the little on is born, I'm going to be too tired to worry about weight and or lack of it.  Oh the joys of motherhood, fashion is always the first casualty.

Oh and the updated version of 'The Return of a Nagus' (Hardback) is now up for sale.  This of course means that the softback version is being updated and therefore will be unavailable for a little while.  Please be patient and I will have it back on sale as soon as possible.  Once again a huge thank you to all my fans out there.